Books by Pedro Lasch

Pedro Lasch: Entre líneas / Between the Lines, edited by Lucía Sanromán, published and distrubuted by Mexico’s Ministry of Culture (SC), National Institute for Fine Arts & Literature (INBAL), and Temblores Publications, Mexico City, 2024. Essays by Lucía Sanromán, Helena Chávez Mac Gregor, Marycar Bastida, Pao Gallardo, Paloma Gómez Puente, Renato González Mello, Anna Indych López, and Bill Kelley Jr., as well as introductions by Alejandra Frausto (Minister of Culture) and Lucina Jiménez (INBAL Director).

20 22 / Art Biennials & Other Global Disasters: Pedro Lasch’s projects with Atis Rezistans/Ghetto Biennale, documenta fifteen, 2022 (forthcoming).

Dreaming in the Woods. Published by Usdan. New York, Dec 2020. With essays by Lasch and Brandt-Schloss.

Weekly Monster. Published by Prospect New Orleans for Prospect.4 Triennial, Februrary, 2018. With essays by Lasch, Trevor Schoonmaker and Nicholas Mirzoeff.

What Are We Before We Are Naturalized? Portraiture, Citizenship, and Abstraction, Provisions Library (2015). With essays by Lasch (artist), Taína Caragol (National Portrait Gallery), Molly Donovan (National Gallery of Art), Kristy Maruca (Hirshhorn Museum) and Ovidiu Tichindeleanu (IDEA arts + society). Introduction by Donald Russell and Stephanie Sherman (Provisions).

Grand Gestures & (Im)Modest Proposals: A Project for Documenta 13 AND AND AND, 2012.

Black Mirror/Espejo Negro, Nasher Museum of Art at Duke University, Duke University Press: Fall 2010. With essays by Lasch, S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, & P. Sigal.

 

Articles, Essays, Chapters, and Other Publications by Pedro Lasch

2022

P. Lasch, Introduction in 20 22 / Art Biennials & Other Global Disasters, with Atis Rezistans/Ghetto Biennale, publication for documenta fifteen, 2022 (forthcoming).

2018

P. Lasch, Himnos y banderas, máscaras y espejos, in Migración y Creación: Antropologías de la Frontera, pp. 284-299, ed. Nuria Sanz, UNESCO, 2018 (book).

P. Lasch, 52 Texts and Images, in Weekly Monster. Published by Prospect New Orleans for Prospect.4 Triennial, 2018.

P. Lasch. AoM Lesson Plan, in Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art (ed. Sholette, Gregory & Bass, Chloe), pp. 96-99, Social Practice - Queens College, NY.

P. Lasch. Ten Times Sustainability, Justice, and Power. Open Engagement 10^th Anniversary Publication, 2018.

2017

P. Lasch. The Indianization of Globalization. Afterall, No. 43, Spring/Summer 2017. 

2016

P. Lasch. Art in Transit, UNESCO Conference Brochure, 2016.

P. Lasch.  Naturalizaciones en Palacio Nacional (imágenes), Revista Calle 14, Bogotá, 2016.

Colectivo Aestéticas Decoloniales (Lasch included). Haceres y decires des/decoloniales. De la estética a la aestesis. Otros Logos: Revista de Estudios Críticos. Universidad Nacional del Comahue, 2016.

2015

P. Lasch & co-authors. What Are We Before We Are Naturalized? Portraiture, Citizenship, and Abstraction, Provisions Library (2015). With essays by P. Lasch (artist), Taína Caragol (National Portrait Gallery), Molly Donovan (National Gallery of Art), Kristy Maruca (Hirshhorn Museum) and Ovidiu Tichindeleanu (IDEA arts + society). Introduction by Donald Russell and Stephanie Sherman (Provisions).

2014

P. Lasch, LATINO/AMERICA. American Anthropologist: The Journal of the American Anthropology Association, March 2014 (cover).

2013

P. Lasch. Eight Ways to Look at a Map: Modular statements from the LATINO/A AMERICA Series (translation from 2006 English-Spanish 

text).  edited by Quiros, Kantuta & Imhoff, AliochaB42, Paris, France, (December, 2013).

P. Lasch. TAKE ME TO THE TOP: The Fine Art of Finance, A project by Pedro Lasch, with the collaboration of Stefano Harney and Sverre 

Spoelstra London Eye, July 5th, 2012 Produced by Hayward Gallery for the Wide-Open School exhibition.  edited by Marie-Pier Boucher, Jean-Maxime Dufresne, Gema Melgar & Jean-François Prost. Adaptive Actions, Montreal, (December, 2013).

Pedro Lasch and Teddy Cruz. Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks.  What We Made, 

edited by Tom Finkelpearl, Duke University Press, (January, 2013).

P. Lasch & Lay-Trigo. "Migrarte Ciencia y arte visual, un diálogo identitario bilateral." EARI. Educación artística. Revista de investigación. 

Edited by Institut Universitari de Creativitat i Innovacions Educatives.  no. 4 (Winter, 2013).

P. Lasch. "Propositions for a Decolonial Aesthetics and “Five Decolonial Days in Kassel” (Documenta 13 AND AND AND)." Periscope – 

Social Text, New York (July, 2013).

P. Lasch. "Breve Argumento Visual por una Estética Descolonial." Causa Sur: Pensar Nuestra America / Revista de pensamiento político, 

Buenos Aires, Argentina, no. 5 (2013).

2012

P. Lasch. Grand Gestures & (Im)Modest Proposals: A Project for Documenta 13 AND AND AND.  edited by Pedro LaschXCO / Documenta 

13 AND AND AND, (September, 2012).

P. Lasch. Breve argumento visual por una estética descolonial. CA2M: Madrid, Spain, (2012): 273-282.

Walter Mignolo. Dekoloniale Ästhetik. Das Museum verlernen und wiedererlernen durch Pedro Laschs Black Mirror/Espejo Negro.  edited by Nina Bandi, Michael G. Kraft, Sebastian Lasinger.Kultur- und Medientheorie[transcript], (2012): 121-140

2011

P. Lasch. “Global Indianization? and LATINO/A AMERICA,” The Future Lasts Forever. Eds. Runo Lagomarsino and Carlos Motta, Gävle Konstcentrum, Iaspis, Sweden, (2011), pp 45-46, 49.

P. Lasch, LATINO/A AMERICA, in Saldívar, José David. Trans-Americanity: Subaltern Modernities, 

Global Coloniality, and Cultures of Greater Mexico, Duke University Press, (2011): cover.

P. Lasch, If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers? 9/11 

Anniversary Issue, Towerview: The Chronicle's News and Culture Magazine, vol. 13 no. 2 (September, 2011), pp. 20.

P. Lasch. “The Indianization of Globalization,” The Global South: Special Issue. Guest editors Caroline Levander and Walter Mignolo, vol 5, no.1 (Spring 2011): Indiana University Press, pp. 12-13.

P. Lasch and others, Tiempo de Homenajes/tiempos descoloniales: Frantz Fanon, edited by Walter 

Mignolo, María Eugenia Borsani, María Marta Quintana, Zulma Palermo, El desprendimiento: pensamiento crítico y opción descolonial no. 8 (2011 Fall), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University.

P. Lasch and others, Haiti: History Embedded in Amber, edited by Edouard Duval Carrier (2011), pp. 30-31, Franklin Humanities Institute.

P. Lasch, “Brain Review 2002 (Part 1),” SPECULATIVE: Exhibition catalogue, edited by Christopher 

O'Leary and Zach Blas, Los Angeles Contemporary Exhibitions Los Angeles, (2011): pp 36-42.

P. Lasch and others, Pensamiento argentino y opción descolonial, edited by Walter Mignolo, Zulma 

Palermo, El desprendimiento: pensamiento crítico y opción descolonial no. 7 (2011 Spring), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University.

2010

P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, & P. Sigal, Black Mirror/Espejo Negro, Franklin Humanities Institute & Nasher Museum of Art at Duke University, Duke University Press: Fall 2010.

P. Lasch and others, Un Atlas de Cartografías Radicales, edited by Lize Mogel & Alexis Bhagat 

(November, 2010) (First Spanish edition of the 2007 'An Atlas of Radical Cartography.' Prologue to the Spanish edition: Javier Arbona, Nick Sowers and Bryan Finoki.)

P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, & P. Sigal, Black Mirror/Espejo 

Negro, Franklin Humanities Institute & Nasher Museum of Art at Duke University, Duke University Press: Fall 2010.

P. Lasch (and 16 Beaver Group), Free Association/Means in Common, edited by Anna Curcio and Ceren 

Ozselcuk, Rethinking Marxism, Special Issue: The Commons and the Forms of the Commune, vol. 22 no. 3 (July, 2010)

P. Lasch and others, Greater New York (Exhibition Catalogue), edited by New York: PS1 MoMA (May, 

2010).

P. Lasch and others, Arte y estética en la encrucijada descolonial, edited by Eds. Walter Mignolo, Zulma 

Palermo, El desprendimiento: pensamiento crítico y opción descolonial no. 6 (2010 Spring), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University.

P. Lasch, University, Narcochingadazo, and Hemispheric Non-Cooperation, edited by Jill Lane and 

Marcial Godoy-Anativia, e-misférica, vol. 6 no. 2 (2010 February), New York University: Hemispheric Institute of Performance and Politics.

2009

With 16 Beaver Group, “C.A.R.T.E.L.” Art Work: A National Conversation About Art, Labor, and 

Economics. Eds. Temporary Services, Special Issue Publication and Website, Fall 2009.

http://www.artandwork.us/ 

P. Lasch and others, La teoría política en la encrucijada descolonial, edited by Eds. Walter Mignolo, 

Sylvia Wynter, Lewis Ricardo Gordon, Alejandro de Oto, El desprendimiento: pensamiento crítico y opción descolonial no. 5 (2009 Fall), pp. cover & p2, Argentina: Editorial Signo and GlobalArgentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University

“Tanta Cerca Tan Cerquita,” Catalog for Transitio 2007: International Festival of Electronic Arts & Transnational Communities. Eds. Grace Quintanilla & Mariana Delgado. Mexico City: Centro Nacional de las Artes (Spring 2009)

2008

"LATINO/A AMERICA." Genero y Descolonialidad: El desprendimiento: pensamiento crítico y opción 

descolonial (Cuaderno #4). Eds. Walter Mignolo, Maria Lugones, Isabel jiménez-Lucena and 

Madina Tlostanova. (Fall, 2008), cover & p2

“Tianguis Transnacional: Drifting and Indigenous Migrancy,” What Keeps Mankind Alive? and 

Continental Drift. Eds. Brian Holmes, 16Beaver Group, & What, How, for Whom / WHW: Ivet Curlin, Ana Devic, Natasa Ilic, Sabina Sabolovic. Zagreb: WHW Newspapers, Issue #15, (2008): 20-21

“LATINO/A AMERICA,” El color de la razón: racismo epistemológico y razón imperial: El 

desprendimiento: pensamiento crítico y opción descolonial (Cauderno #3). 

Eds. Walter Mignolo, Emmanuel Chukwudi Eze, Paget Henry, Santiago Castro-Gómez. Argentina: Editorial Signo and Globalization and Durham: The Humanities Project, Duke University, (2008): cover & p2.

With 16Beaver Group, “Iraq Questionnaire Answers,” October Magazine, MIT Press, Winter 2008, No. 123, Pages 149-160.

“666666: DUN LAOGHAIRE (36 signs and a Panorama),” Carlisle Pier. Edited Cliodhna Shaffrey.

 

Selected Articles, Essays, and Publications on Pedro Lasch

2023

Books:

Reilly, Maura. Museums & Social Justice, Thames & Hudson (forthcoming).

Gutiérrez-Viñuales, Rodrigo. Antes de América. Fuentes originarias en la cultura moderna, Fundación Juan March, Madrid, 2023.

Articles:

Coutiño, Sebastián. El Laboratorio de Pedro Lasch en Arte Alameda, Cool Hunter Mx: Cultura, December 12th, 2023.

Sánchez, Mariana. Conecta Cartelera Cultural, Capital 21 TV, December 4th, 2023.

Bucio, Erika. Un museo, 100 artistas y mucha música contemporánea, Reforma: Cultura, December 6th, 2023.

Redacción, Pedro Lasch: Entre líneas / Between the Lines, KmCero Revista Impresa: Cultura, December 1st, 2023.

Redacción, El juego y la ficción llegan al Laboratorio Arte Alameda con Pedro Lasch: Entre líneas / Between the Lines, INBAL Prensa, Boletín No. 1638, November 23rd, 2023.

Redacción, Pedro Lasch entre líneas, Reforma, Sección Cultura (portada), November 23rd, 2023. 

Abundiz, Pablo. Pedro Lasch, llega al Laboratorio de Arte Alameda. Reporte Indigo: Prensa, November 27th, 2023.

Redacción, Pedro Lasch entre líneas, Revista El rizo robado: Divertimentos, November 23rd, 2023.

Redacción, Pedro Lasch: Entre líneas / Between the Lines, SICOM Noticias, November 23rd, 2023.

Redacción, El juego y la ficción llegan al Laboratorio Arte Alameda con Pedro Lasch: Entre líneas / Between the Lines, Secretaría de Cultura, Comunicado, November 23rd, 2023.

Redacción, Pedro Lasch: Entre líneas / Between the Lines, Hoja de Ruta: Cultura, November 23rd, 2023.

Herrera Montejano, Eleane. Pedro Lasch: “Los migrantes hacen los Cambios más profundos de la cultura” El artista inaugura su muestra "Lasch: entre líneas/between the lines", en el Laboratorio de Arte Alameda, Crónica, November 22nd, 2023.

Autoridad Centro Histórico, Oferta Cultural de la Ciudad de México, Gobierno CDMX: Cultura, November 22nd, 2023.

Corresponsal/EFE. La exposición 'Figuraciones Inversas', del artista mexicano Pedro Lasch llega al Museo de Arte Abstracto Español, Cuenca News, October 21st, 2023.

Albaladejo, Diego. La modernidad y el colonialismo dialogan en una nueva exposición, Ser Cuenca, October 20th, 2023.

Corresponsal. Transparencias y reflejos, La Jornada: Cultura, Mexico City, October 20^th, 2023.

Serrano, María. ¿Cómo han influido las civilizaciones americanas en la cultura moderna?, El Debate, Madrid, October 6th, 2023.

ENCLM, MUESTRAS "ANTES DE AMÉRICA" Y "FIGURACIONES INVERSAS" El Museo de Arte Abstracto de Cuenca estrena exposición mirando a América a través del cine y el ‘collage’, En Castilla La Mancha, October 4th, 2023.

Corresponsal. El Museo de Arte Abstracto, sede de la exposición madrileña ‘Antes de América’, Enciende Cuenca, October 4th, 2023.

Corresponsal. Pedro Lasch. ‘Figuraciones inversas’ próximamente en el Museo de Arte Abstracto Español de Cuenca, OCIOCUENCA, September 26th, 2023.

Cruz, Azaneth. Museos y Exposiciones muestran diseño e identidad en 2023, El Heraldo, Mexico City, February 1^st, 2023.

2022 

(Note: only Documenta 15 reviews that mention Lasch, Atis Rezistans, or Ghetto Biennale are included)

Ruangrupa, et al. documenta fifteen: Handbook, pp. 67-69, Hatje Cantz, Kassel, Germany, June 2022 (book).

Ruangrupa, et al. documenta fifteen: Lumbung Program, p.8, p.15, Kassel, Germany, June 2022 (catalogue).

Lippard, Lucy, et al. An Incomplete Archive of Activist Art, Vol 1: Discourse, p 115, Rubin Foundation, Hirmer Verlag, Munich & University of Chicago Press, 2022 (book).

Reisman, Sara et al. An Incomplete Archive of Activist Art, Vol 2: Art, pp 126-135, Rubin Foundation, Hirmer Verlag, Munich & University of Chicago Press, 2022 (book).

Rojas Sotelo, et al. Mingas de la imagen: estudios indígenas e interculturales, p.25, P.U. Javeriana, Fall 2022 (book).

Dorotinsky and Lozano, Culturas Visuales desde America Latina, p.55, UNAM, Mexico, 2022 (book).

Solterer, Helen and Joos, Vincent. Migrants shaping Europe, past and present, pp.11-12, Manchester University Press, 2022 (book).

Jordan, Cara M. Inside Beuys, Andres Veiel’s New Documentary on the German Artist, Field Journal, Fall 2022.

Editors, The Defining Exhibitions of 2022, ART News, December 21^st, 2022.

Kesting, Marietta. Documenta Debrief, Texte Zur Kunst, December 5th, 2022.

HS Editor, Voodoo in der Kirche, Hessenschau TV, October 30th, 2022.

Amranand, Amitha. Art of Precarity, Bangkok Post, October 13^th, 2022.

McDermott, Documenta 15 review: social practice, controversy and food for thought, Wallpaper Magazine, October 9^th, 2022.

Simantob, Eduardo. Il Sud al Nord: documenta fifteen capovolge il mondo dell'arte, Cultura: Swiss Info, October 5th, 2022.

Leschik, Wanda. documenta 2022: Das waren die Highlights der 15. Ausstellung. AD Magazin, September 26th, 2022.

Hibino, Saki. Walk the Walk..., Wired/Japan, September 23rd, 2022.

Rozwora, Patrycja. A trip to Kassel’s documenta fifteen: Its decentralised, “anti-authoritarian collective” approach and what was missing, Contemporary Lynx, September 22^nd, 2022.

Oancea, Raluca. documenta 15: un curatoriat al duratei Jam Karet, Revista 22, September 20th, 2022. 

Giacomelli, Marco Enrico. Documenta 15: un glossario da Kassel, Atribune, September 17th, 2022.  

Ruangrupa, et al, We are angry, we are sad, we are tired, we are united. E-Flux, September 10^th, 2022.

Forin, Elena. Nel segno del Lumbung. Viaggio a documenta e intervista a ruangrupa, Exibart, September 10th, 2022.

Kothe, Helga. Morbide Skulpturen im maroden Kirchenraum, Evangelish Magazin, September 9^th, 2022.

Lasca, Arianna. Lumbung. Documenta 15 attraverso sei opere video, ArtLife, September 9th, 2022.

G’Sell, Eileen. Documenta 15 and the Power of Productive Disruption, Hyperallergic, September 5^th, 2022.

Joselit, David. HISTORY IN PIECES: David Joselit on Documenta 15 and the 59th Venice Biennale, Art Forum, September 2022.

Scarpa, Tiziano. Alla Documenta di Kassel va in scena la rivincita del “noi” contro l’“io”, Finestre Sull'Arte, August 30th, 2022.

Dautrey, Marianne. Censure à la documenta 15, Diacritik, August 30th, 2022.

Schaper, Rüdiger. Die Arroganz der Aktivisten: Wenn Künstler die Welt verändern wollen, Tagesspiegel, August 19th, 2022.

Zucch, Uwe. Diskussion um Skulpturen aus Knochen auf documenta, Süddeutsche Zeitung, August 17th, 2022.

Zucchi, Uwe. Kirche St. Kunigundis in Kassel: Documenta-Skulpturen aus menschlichen Knochen bewegen die Gemüter, Monopol Magazine, August 17^th, 2022.

Hartmann, Christoph Paul. Pfarrer: Menschen haben durch Kunst über Religion nachgedacht, Katolisch DE: Das Nachrichtenportal der katholischen Kirche in Deutschland, August 10th, 2022.

Rozental, Sandra. El penacho en disputa: la repatriación más allá de gestos “decoloniales”, Nexos, August 7^th, 2022.Lüddemann, Stefan. Bitte nicht verpassen! Wo die Documenta 15 richtig stark ist, NEUE OSNABRÜCKER ZEITUNG, August 7th, 2022.  

Pezsa, Tibor. Zwei Touren durch die documenta fifteen in Kassel: Ersten Eindruck gewinnen, HNA Germany, August 3rd, 2022.

Valacchi, Maria, Chiara. LA QUINDICESIMA EDIZIONE DI DOCUMENTA È UNA LEZIONE SULLA LIBERTÀ E SUL VALORE (NON SOLO DELL'ARTE), Elle Decor, August 2nd, 2022.

Ruangrupa, et al, Censorship Must Be Refused. E-Flux, July 27^th, 2022.

Giusti, Lorenzo. documenta 15: una rassegna necessaria, Artribune, June 25th, 2022.

Prüfer, Christian. Die umstrittene „documenta fifteen“, eschmäht, aber nicht gescheitert, MiGAzin, September 22nd, 2022.

Zwarg, Matthias. Ein Besuch auf der Documenta in Kassel: Eine Welt mit offenen Räumen, Freie Presse, June 21st, 2022.

Bailey, Stephanie. documenta fifteen is a sum of its parts, not a single event, Ocula Magazine, July 14^th, 2022.

Brock, Markus. Museums-Check mit Markus Brock: documenta fifteen, Kassel, 3 SAT, July 8th, 2022.  

Khalil, Nadine. The DIY Chaos of Documenta 15, Frieze Magazine, Juy 7^th, 2022.

Rubin, Andrew, et al. Editors’ Picks: Six Standout Projects from Documenta 15, Frieze Magazine, July 15^th, 2022.

Brown, Kate. Documenta Presents an Invigorating Alternative to a Market-Driven Art World. Maybe That’s Why the Industry’s Establishment Has Largely Dismissed It, Artnet News, July 1^st, 2022.

Deiana, Micaela. documenta 15 ecosistema futuribile, Il Giornalle dell'Arte, July 15th, 2022.

Van Binsbergen, Sarah. De 15de Documenta in Kassel is radicaal anders, controversiëler en inclusiever dan alle voorgaande edities, De Volkskrant, Netherlands, June 30th, 2022.

Germano, Beta. Documenta 15 apresenta projetos e formas de criar do Sul global, Vogue/Globo, June 29, 2022.

Vistrup, Madsen. BAH LUMBUNG: Kristian Vistrup Madsen at Documenta 15, Art Forum, June 25^th, 2022.

Hanloser, Gerhard. Katechismus in Aktion, Der Freitag, July 23rd, 2022.

Mestdach, Dave, Documenta 15: naar ’s werelds grootste kunstbeurs ga je om vrienden te maken, Knack: Focus, July 12th, 2022.

Hauenstein, Hanno. Deutsche Doppelmoral: Auf der documenta 15 herrschen andere Antisemitismus-Standards als in deutschen Kulturinstitutionen, Berliner Zeitung, July 2nd, 2022.

Martí, Silas. Documenta de Kassel tem boate fetichista e creche para mostrar extremos do mundo, Folha De S. Paulo, June 21st, 2022.

Pietrzik, Agata. Das "Ekosistem" der "documenta 15"/ Besondere Ausstellungsorte und ihre Kunst, Das Erste, June 21st, 2022.

Duplat, Guy. Une Documenta radicale qui vient secouer le monde de l’art, La Libre, June 21st, 2022.

Stahre, UIlrika. En Documenta som sent kommer glömmas, Afton Bladet, June 20th, 2022.

Küchle, Tanja. Was bringt uns die documenta 15 in Kassel?, Hessenschau, June 19th, 2022.

Fraschke, Bettina. documenta im Kasseler Osten: Zwischen Voodoo-Kirche und Wüstenzelt, HNA, June 17th, 2022

Roessler, Boris. Top German art show starts amid anti-Semitism row, The Local DE, June 17th, 2022.

*Watlington, Emily. Documenta 15 Diary: Beyond Borders, Art in America, June 17^th 2022.

Klug, Hannes. Kunstschau Documenta 15: Aporie Spritz, Der Freitag, June 17th, 2022.

Danicke, Sandra. Hört einander zu, Frankfurter Rundschau, June 16^th, 2022.

Editor, Thousands of Artists Are Participating in Documenta 15, ArtNet News, June 15^th, 2022.

Ackermann, Tim. Was Bringt die Documenta?, WeltKunst, June 10th, 2022.

Süß, Sonja. Kunst zwischen Schrottplätzen und Ruinen: Die documenta 15 lässt den Kasseler Osten aufblühen, Hessenschau, June 10th, 2022.

2021

Redaccion Cultura, Programación de la Noche de Museos en Bogotá…, El Magazin Cultural, Bogota, November 11^th, 2021.

Amieva, et al. Cien del MUAC: Exhibiition Catalogue, UNAM, Mexico. June, 2021 (book).

Redacción Cultural. Museo Descolonial, done se habla de quienes no menciona la historia. Revista Nuevo Siglo, Bogotá. October 11, 2021.

Reisman, Sara et al. An Incomplete Archive of Artistic Activism: The Shelley & Donald Rubin Foundation, University of Chicago Press & Hirmer, 2021 (book)

Achim, Miruna. Idolos y Antigüedades: La formación del Museo Nacional de México. INAH, Mexico. 2021 (Lasch book cover)

Flores, Tatiana. Latinidad is Canceled: Confronting and Anti-Black Construct. Journal of Latin American and Latinx Visual Culture, Vol.3, Number 3, pp. 58–7. 2021.

Editor, Vincent van Gogh, Maria Izquierdo, Juan O»Gorman, salsa y cmic, temas que …, Aqui Noticias, Mexico City, July 26^th, 2021.

Yan, Dani. Art as Public Intervention, Duke Arts Journal. June 1^st, 2021.

Davis, Akilah. It Makes a Mockery…, ABC 11 TV Report, Raleigh, May 5^th, 2021

Schramm, Stephen. Taking the Nasher Museum of Art Virtual. Working at Duke. February 17^th, 2021.

Delgo, Tessa. The Bad Air Smelled of Roses': Screen-printing progress, The Duke Chronicle, February 8^th, 2021.

2020

Dreaming in the Woods. Published by Usdan. New York (December 2020).

Tatums, L. Hand, ed. LA+ Interdisciplinary Journal of Landscape Architecture, University of Pennsylvania School of Design, Fall, 2020.

Grady, Constance. Mysterious monoliths are appearing across the world. Here’s what we know. Vox Magazine, December 8^th, 2020.

Martin, Allison. Best Duke University Online Courses. Benzinga Journal. August 27^th, 2020.

Valencia, Rufo. La pandemia augura un duro invierno en Canadá, Radio Canada Intenracional, August 11^th, 2020.

Agarwal, Mihika. Art enthusiasts, here are 7 online courses you can now enrol in. VOGUE India. April 18^th, 2020.

Techman, Melissa. Professional Opportunities from Home. School Library Journal. March 24^th, 2020.

2019

Reisman, Sara. The Watchers: Essay & Exhibition Brochure, 8^TH Floor Gallery/Rubin Foundation, pp 7-8, New York, July 2019.

Westphal, Bertrand. Atlas des Egarements, p 76-77, Les Editions de Minuit, France, 2019 (book).

The Nomad MFA at University of Hartford Is Now More Accessible and Affordable, Hyperallergic, November 7^th, 2019 (catalogue).

Reseña. Lo verdadero de lo falso: Pedro Lasch en Montreal. Hispanophone, Montreal. June 2^nd, 2019.

Carey, Brainard. Interview with Pedro Lasch, Yale University Radio. April 7^th, 2019.

Schlaegel, Andreas. Decolonizing Appearance CAMP. Flash Art, Copenhagen. April 1^st, 2019.

Laborda, Luis Alberto. El arte sin fronteras de Pedro Lasch. RCI Montreal, March 21^st, 2019.

2018

Weekly Monster. Published by Prospect New Orleans for Prospect.4 Triennial, 2018. With essays by Lasch, Trevor Schoonmaker and Nicholas Mirzoeff.

Reseña. Pedro Lasch en Casa Wabi, De Museos. November 18^th, 2018.

Israde, Yanireth. Reviven el Zócalo de Lasch. Reforma, Mexico. October 26^th, 2018.

Zapparrata, Carmelo. Anatomia di una nazione la performance e politica. La Repubblica, Bologna. June 30^th, 2018.

Ansari, Rehan. Forecasting Art and Social Justice. The Brooklyn Rail, May 1^st, 2018.

Lorne, Raennah. Art in Odd Places Explores Mattter and Historical Interpretation. C-Ville Weekly, April 4^th, 2018.

Howe, Brian. As a Write amd as DJ/Rupture. Jace Clayton…, Indy Weekly, Durham-Chapel Hill, March 28^th, 2018.

Haackett, Ann. Monster Parade: Pedro Lasch in Prospect.4, Pelican Bomb, New Orleans. March 5^th, 2018.

Gershanik, Ana. Art from Latin America Takes Over New Orleans. NOLA Nuestro Pueblo, January 31^st, 2018.

Bookhardt, D. Eric. Review: Pedro Lasch’s Reflections on Time. Gambit, Best of New Orleans Section, January 22^nd, 2018.

2017

Tlostanova, Madina. Postcolonialism and Postsocialism in Fiction and Art, Decolonizing the Museum, p 73-92, Springer International Publishing, 2017.

Articles:

Doppelbauer, Max. La familia de Felipe IV als Spiegel der spanischen Ge- schichte. Vorschläge zur Didaktisierung von Velázquez ́ Gemälde Las Meninas. Quo Vadis Romania, 49 (p 117-118), 2017.

Torregosa, Ana. 4 cursos de Activismo Social por la Universidad de Duke. Lectivatum, December 3rd, 2017. 

Mainwaring, Scott. The Flag Fusions of Pedro Lasch. The Vexilloid Tabloid (p 6-7), Portland Flag Association, Issue 67, December 2017.

Cain, Abigail. 10 Art History Classes You Can Take Online (for Free). Artsy (Editorial). November 22^nd, 2017.

Indrisek, Scott. Prospect.4 Brings Big Names to New Orleans–but Doesn’t Take Enough Risks. Artsy (Editorial). November 20^th, 2017.

Davis, Ben. See Highlights from the Just-Opened Prospect 4 Triennial in New Orleans. Art Net. November 20^th, 2017.

Li, Xinchen. Duke celebrates five-year relationship with Coursera. Duke News. November 2^nd, 2017.

Editor’s Pick. Last-Minute Plans: 70 Free, Cheap & Easy Things To Do In Seattle This Weekend: Oct 6-8, 2017. Stranger – Seattle. October 6^th, 2017.

Glentzer, Molly. Art Daybook: The sagging gates of the White House. Houston. Chronicle. October 3^rd, 2017.

Editor’s Pick. Curso gratuito ART of the MOOC: Activismo y Movimientos Sociales. TYS Magazine. September 2nd, 2017.

Edge, Lisa. First Thursday Guide. Real Change- Seatlle. August 30^th, 2017.

Vansynghel, Margo. 'BorderLands' at King Street Station. City Arts - Seattle. August 11^th, 2017.

Editor’s Pick. The Must List: Your guide to Seattle's hottest events. Seattle Magazine. August 3^rd, 2017.

Pothast, Emily. Borderlands Crosses Boundaries at King Street Station. The Stranger – Slog (Arts & Culture). August 3^rd, 2017.

Editor’s Pick. Borderlands. Seattle Met. August 2^nd, 2017.

Davis, Darren. It’s the Biggest Week of the Year for Art in Seattle. Don’t Stay Home. Seattle Met. July 31, 2017.

Greenberg, Ruth. Standing up to power. Artists’ works focus on social injustice. Herald Sun, July 26, 2017.

Mann, Beth. Sneak peek: ‘Truth to Power 5’ at Pleiades Arts. Art Now. July 19^th, 2017.

Grady, Constance. Where Pizza Rat, fake news, and art collide, there’s a wizard named Zardulu. VOX. May 31^st, 2017.

Cash, Stephanie. Here’s Who Will Be in Prospect.4 in New Orleans This Fall. Burnaway: The Voice of Art in the South. May 24th, 2017.

Coviello, Will. Prospect.4 artists announced, Trevor Schoonmaker previews expo. Best of New Orleans. May 23rd, 2017.

Greenberger, Mario. Here’s the Artist List for This Year’s Prospect New Orleans Triennial. Art News. May 23^rd, 2017.

Johnson, Paddy. Prospect.4 Artists Announced. Art F City - Newswire. May 23rd, 2017.

Tate, Emily. Easing Instructional Designer-Faculty Conflicts, Inside Higher Ed. May 3rd, 2017.

Smith, Terry. Biennials Within The Contemporary Composition, Stages #6: The Biennial Condition, ed. Joasia Krysa. Liverpool Biennial, April 2017.

Mignolo, Walter. Coloniality is Far from Over, and So Must Be Decoloniality. Afterall, No. 43, Spring/Summer 2017.

Editor’s Pick, Pedro Lasch to Join Usdan Summer Camp as First-Ever Artist in Residence. Art Forum, April 14, 2017.

Puleo, Risa. A Fanfare of Flags: Unwoven, Repurposed, Quilted, and Performed. Hyperallergic. March 3, 2017.

Diaz-Camacho, Vicky. Refugees Are Welcome In H&R Block Artspace's'The State Of The World'. KCUR. February 22^nd, 2017.

2016

Oring, Sheryl. Activating Democracy: The "I Wish to Say" Project. University of Chicago Press & Intellect Books Ltd, 2016.

Langlois Justin A., C Magazine, Issue 128: Citizenship. Winter, 2016.

Muñiz Reed, Ivan. Thoughts on Curatorial Practices in the Decolonial Turn. Broadsheet Journal, 45.2, Australia, 2016.

Gobat, Michel. The Invention of Latin America: A Transnational History of Anti-Imperialism, Democracy, and Race. American Historical Review, Oxford Journals, Vol. 118, Issue 5, p. 1345-1375

Lord, Susan (editor). 52: Havana, Journal PUBLIC: Art, Culture, Ideas (no. 52). Canada, 2016.

Bacon, Lucie. Un-disciplinary migratory cartography maps » (between art, science, politic and activism), European Review of International Migrations (Revue européennes sur les migrations internationales, REMI, University of Poitiers, France, 2016.

Corresponsal, Último fin de semana de la Exposición” Máscaras Mexicanas, simbolismos velados” en el Museo Palacio Cantón, Yucatán Informa, México. October 30, 2016.

Corresponsal, "Máscaras Mexicanas, simbolismos velados", últimos días. La Jornada Maya, Mérida, México. October 28, 2016.

Luse. Mimi. The Nothing That Is – A Drawing Show in Five Parts (review). Frieze Magazine. October 21, 2016.

Lycoming College to host artist-in-residence Pedro Lasch, Sun Gazette, Williamsport, PA.

Ferreri, Eric. Reflections with Pedro Lasch: The Impact of 9/11 on the Art World. Duke Today, Special 9/11 Series. August 12, 2016.

Palermo, Zulma. Pensamiento argentino y opción descolonial, Colección El Desprendimiento, Ediciones del Signo, Buenos Aires, 2016.

Corresponsal, Una exposición en Mérida revela secretos, mentiras y verdades de México y el mundo, La Jornada, Mexico. July 2, 2016.

Hernandez, Manuel. La idealización de Europa Bordes entre psicoanálisis y decolonialidad. Publicación del Coloquio, Ciudad de México. Julio, 2016.

Redacción INAH, Simbolismos de la máscara mexicana en el Palacio Cantón, Grado MX, México. July 1, 2016.

Lasch, Himnos y banderas, máscaras y espejos, Art in Transit, UNESCO Conference Publication, 2016.

Corresponsal, Exhiben "Máscaras mexicanas, simbolismos velados" en Mérida, Notimex, México. June 29, 2016. 

Lasch, OE Perspectives, Open Engagement Publication, June 24^th 2016.

Greenberg, Blue. The Nothing That Is – A Drawing Show in Five Parts (review). The Herald Sun, Raleigh, NC.

Lasch, Naturalizaciones en Palacio Nacional (imágenes), Revista Calle 14, Bogotá, 2016.

Zapf, Marilyn. Fertilizing the Collection. Art Jewelry Forum. May 31, 2016. 

Kauer, Sofi. Todos somos negros: aisthesis descolonial. La Sede. Argentina. May 8, 2016.

Sutton, Kate. Bay Watch. Art Forum. May 24, 2016.

Wójtowicz, Ewa. Sztuka w obronie świata. Magazyn O. Poland. March 24, 2016.

Tomasello, Mia. Syracuse diner demonstrates the power of socially engaging political expression, The Daily Orange, March 22, 2016.

Castro, Christophe. Le MOOC, nouveau média pour les institutions culturelles… et les artistes? MOOC & CIE, France, February 2016.

Redacción Once Noticias, Muestra "Máscaras mexicanas, simbolismos velados" llega a Mérida, Once Noticias, February 7, 2016.

Agencia Quadratín. Exhiben máscaras mexicanas con 3 mil años de historia. Mexico, January 18, 2016.

Gobierno de la República, Más de 87 mil han visitado la exposición Máscaras mexicanas. "Simbolismos velados." Secretaría de Prensa, México. Jan 18, 2016.

Redacción. Más de 400 más­caras del mundo con 3 mil años de antiguë­dad, expuestas en México, Viviendo Mi Ciudad, México. January 25, 2016.

Dillon, Fernando. Visual Media Studies course exposes students to social art. The Chronicle: Recess, Durham, NC. January 14. 2016.

2015

Books:

Mirzoeff, Nicholas. How to See the World. Penguin, p36-37, 2015.

P. Lasch & co-authors. What Are We Before We Are Naturalized? Portraiture, Citizenship, and Abstraction, Provisions Library (2015). With essays by P. Lasch (artist), Taína Caragol (National Portrait Gallery), Molly Donovan (National Gallery of Art), Kristy Maruca (Hirshhorn Museum) and Ovidiu Tichindeleanu (IDEA arts + society). Introduction by Donald Russell and Stephanie Sherman (Provisions).

Downey, Anthony (editor). Dissonant Archives: Contemporary Visual Culture and Competing Narratives in the Middle East. London-New York: I.B. Tauris, 2015 (p.298, p.306, p460).

Ross, Andrew (editor). The Gulf: High Culture/Hard Labor. OR Books, 2015. 

Michael Kelly (Editor-in-Chief) ENCYCLOPEDIA OF AESTHETICS, Oxford University Press, 2015 (Lasch appears in entry for ‘Participatory Art’).

Articles:

Tlostanova, Madina. A Salt Box and a Bracelet Conversing with a Painting. Decolonising a Post-Soviet Museum in the Caucasus. L’internationale. October 12, 2015.

Correspondent. Algunas de las exposiciones se abrirán en La Estación de Ferrocarril, el BCP y el Hotel Guaraní. La Nación (Paraguay). October 2, 2015.

Correspondent. Intervención en el aeropuerto, “Cháke” y Michael Burt. Nanduti. October 2, 2015.

Correspondent. BIA continúa este viernes con tres exposiciones artísticas. HOY (Paraguay). October 2, 2015.

Ferreri, Eric. Pedro Lasch and Art on the Internet. Duke Today. September 28, 2015.

Vitiello, Chris. Guatemalan artist Regina José Galindo makes real political change through performance. Independent Weekly, September 16, 2015.

Mota, Melissa. Una mirada crítica al racismo. La Ciudad de Frente. September 5, 2015.

Coombs, Gretchen. Three Days of Debating Social Justice at the Venice Biennale. Hyperallergic. August 26, 2015.

Gómez, Verónica. Máscaras mexicanas. Simbolismos velados: Crítica. Revista Chilango. August 25, 2015.

Morales, Francisco V. Revive la Galería Nacional. Reforma. August 25, 2015.

Zimmerman, Robert. Pedro Lasch's Curricular Intervention in Venice. Duke University Arts. August 24, 2015.

White, Amy. Art Review: “Alternative Modernisms” at SECCA. Burnaway. Winston-Salem. July 30, 2015.

Ford, David. Exploring History and The South in SECCA's Exhibit Alternative Modernisms. 88.5 WFDD. July 15, 2015.

Delson, Susan. Bienal Snapshot: Between, Inside, Outside. An exhibition looks to reframe Cuba-US relations—and our thinking about art. Cuban Art News. June 25, 2015.

Greenberg, Blue. Too much of ‘Nothing’ at CAM. Herald Sun. June 21, 2015.

Sola, Mariela. Pedro Lasch, Istal de Tragedia y Fantasía: Las Bienales de Arts y Otros Desastres Globales… ARTISHOCK. June 11, 2015.

Felder, Lynn. If you like dark, … Winston-Salem Journal. June 7, 2015.

Ferreri, Eric. In Cuba, Duke Professor Connects Politics, Art: Duke's Pedro Lasch gave four U.S. congressmen a private tour of a new exhibit in Havana. Duke Today. May 27, 2015.

Rodriguez Balbuzano, Laura. De ciudades y utopías. El mexicano Pedro Lasch interviene en la 12a Bienal Internacional de La Habana con “Islas de tragedia y fantasía.” Bohemia: Revista de Análisis. May 27, 2015.

Correspondent, Programación de mayo, Granma, Cuba. May 21, 2015.

Gulf Labor. Saadiyat and the Gulf Labor Boycott. Ibraaz, Platform 5. May, 2015. (Lasch is part of Gulf Labor).

Jay, Riley. Taste of Reynolda. Old Gold & Black. April 2, 2015 (exhibition review).

Correspondent. SECCA Presents “Alternative Modernisms.” Camel City Dispatch, March 26, 2015 (exhibition review).

2014

Gaztambide-Fernández, Rubén & Mignolo, Walter. Decolonial options and artistic/aestheSic

entanglements: An interview with Walter Mignolo. Decolonization: Indigeneity, Education & Society

Vol. 3, No. 1, 2014, (p. 205). Ontario Institute for Studies in Education, University of Toronto 

Reynolds-Kaye, Jennifer. Exhibiting the Decolonial Option: Museum Interventions by Pedro Lasch and Demián Flores. E-MISFÉRICA 11.1 DECOLONIAL GESTURE, Hemispheric Institute of Performance and Politics, NYU. 

Clements, Alexis. What Tom Finkelpearl (and Many Others) Made, and Might Make, Hyperallergic, April 29, 2014 (book review).

Clouthier Carrillo, Irene. Abstracción nacional y nacionalismo abstracto. Ideas Sueltas: Astillero, Diario Noroeste, México. November 30, 2014. (exhibition review) 

BWW Correspondent, November at the National Portrait Gallery Includes Meet the Author, Portrait Discovery Kits, and More – BWW Visual Arts World, November 11, 2014.

Ferreri, Eric. The University is an Artist: Pedro Lasch's new art project relied on the expertise of faculty, staff, students and alumni, Duke Today, October 22, 2014.

Elliot, Landy. DC Office Showcases Art by Pedro Lasch for Washington Community, Duke Today, June 13, 2014.

Lasch, LATINO/AMERICA. American Anthropologist: The Journal of the American Anthropology Association, March 2014 (cover).

2013

Barriendos, Kantuta & Imhoff. "Entretien Avec Joaquín Barriendos." Les Cahiers du Musée national d'art moderne, no. 122 (Winter, 

2013): 106-119.

Finkelpearl, Tom. What We Made. Duke University Press.

2012

Walter Mignolo. Dekoloniale Ästhetik. Das Museum verlernen und wiedererlernen durch Pedro Laschs Black Mirror/Espejo Negro.  edited by Nina Bandi, Michael G. Kraft, Sebastian Lasinger.Kultur- und Medientheorie[transcript], (2012): 121-140.

2011

Yates McKee. "The Arts of Occupation." The Nation (December, 2011). (on 16 Beaver Group)

Margaret R. Greer. "Thine and Mine: The Spanish “Golden Age” and Early Modern Studies." PMLA vol. 126 no. 1 (November, 2011): 217-224.

P. Lasch and others. "Tiempo de Homenajes/tiempos descoloniales: Frantz Fanon." El desprendimiento: pensamiento crítico y opción descolonial. Edited by Walter Mignolo, María Eugenia Borsani, María Marta Quintana, Zulma Palerm.  no. 8 (Fall, 2011): cover & p2.

P. Lasch. "If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers?" Towerview: The Chronicle's News and Culture Magazine 9/11 Anniversary Issue vol. 13 no. 2 (September, 2011): 20.

Correspondent. "Duke eyes 10th anniversary of 9/11." Herald Sun (September, 2011).

Katya Prosvirkina. "Flesh and Metal” looks at responses to 9/11." Recess (September, 2011).

Jay Jay. "Twin Towers." Fake News Junkies (September, 2011). (Article on Lasch's 'Twin Towers Go Global')

Megan Malandro. "World Trade Center Towers...in Williamsburg?" New York Near Say (August, 2011). (Article on Lasch's 'Twin Towers Go Global')

Matt Chaban. "Why Not Rebuild the Twin Towers in Williamsburg? Or ‘Atop of Obama’s Head?’." New York Observer (August, 2011). (Article on Lasch's 'Twin Towers Go Global')

Eric Ferreri. "Sept. 11 Grief Relief by Ink: A 9/11 art exhibit at Perkins Library shows how some dealt with grief." Duke Today (August, 2011).

Matt Chaban. "No, Really, Let’s Rebuild the Twin Towers, Even If Not at Ground Zero." New York Observer (August, 2011). (Article on Lasch's 'Twin Towers Go Global')

P. Lasch. "The Indianization of Globalization." The Global South. Edited by Caroline Levander and Walter Mignolo.  vol. 5 no. 1 (Spring, 2011): 12-13.

P. Lasch and others. "Pensamiento argentino y opción descolonial." El desprendimiento: pensamiento crítico y opción descolonial. Edited by Walter Mignolo, Zulma Palermo.  vol. 7 (Spring, 2011): cover & p2.

P. Lasch. "LATINO/A AMERICA." Trans-Americanity: Subaltern Modernities, Global Coloniality, and Cultures of Greater Mexico. Edited by Saldívar, José David.  (2011): cover.

P. Lasch. "Global Indianization? and LATINO/A AMERICA." The Future Lasts Forever. Edited by Runo Lagomarsino and Carlos Motta.  (2011): 45-46, 49.

2010

P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, & P. Sigal, Black Mirror/Espejo Negro, Franklin Humanities Institute & Nasher Museum of Art at Duke University, Duke University Press: Fall 2010.

P. Lasch & Miguel Rojas Sotelo, Separata Decolonial, Revista Calle 14: Arte y Decolonialidad, vol. 4 no. 5 (2010), Bogota, Colombia.

Anna Komar, Radical Cartography, F5 Magazine no. 67 (December 7, 2010), Moscow, Russia.

Paolo Spadano, AND AND AND, Rivista Segno no. 232 (October 14, 2010), Italy: SALA Editori.

Correspondent, Wiedergeburt der Twin Towers? Schwarze Kunst, Aktuelles/Documenta: Texte zu Kunst und Kultur (September 14, 2010), Germany.

Luz Elena Ramírez Gochicoa, Pedro Lasch: Un artista a través del espejo, Revista Dirección de Bibliotecas (October, 2010), México: Universidad Autónoma del Estado de México (UAEM).

Walter Mignolo (entrevista), Matriz Colonial del Poder, Segunda Epoca, in Desenganche: Visualidades y Sonoridades Otras (2010), pp. 160-173, Quito: La Tronkal, 2010.

Michela Sacchetto, NOTES TOWARDS DOCUMENTA 2012 - UN ANNO DOPO LA CONFERENZA DI RIVOLI, ECCO ALCUNI NOMI E LE LINEE GUIDA, ARTKEY (October 11, 2010), Italy: Tekne Media.

Walter Mignolo, Aiesthesis Decolonial, Arte y Cultura, Revista Calle 14, vol. 4 no. 4 (2010), pp. 10-25, Bogota, Colombia.

Kevin Lincoln, Duke's First MFA, Towerview Feature, Towerview (September 21, 2010), Duke Chronicle, Durham, NC.

Graciela Kartofel, Carta desde NY, Greater NY at MoMA PS1, Art Nexus no. 77 (2010 June - August).

Matthew Bowman, London Degree Shows 2010, One Piece at a Time. Pied-à-terre Special Issue (July, 2010), Groupe d'Etudes Interdisciplinaires en Arts Britanniques, France & UK.

Federica la Paglia, Feliz Cumpleaños America Latina! 200 Years Independence and It Feels Like Yesterday (Around the World Section), edited by Italy/UK., cura. magazine no. 04-Spring (April 21, 2010)

Michael Posner, The independent bookstore is a dying species, Globe and Mail (February 15, 2010), CTVglobemedia Publishing Inc, Toronto, Canada.

Ana Vukadin, Pause & Eject 2 at Shoreditch Town Hall, murmurART (February 2, 2010), London, UK.

María Fernanda Cartagena, Art & Theory: Interview with Walter Mignolo, Latin Art (part 1 – January 1,

2010, part 2 – July 1, 2010)

 

2009

Michael Innis, Black Mirror/Espejo Negro by Pedro Lasch, Latin American Indian Literatures Journal, vol. 25 no. 2 (2009 Fall), pp. 202-211

Katharine Harmon, Cartography: Artists + Maps, Princeton Architectural Press, 2009. Includes work of approximately 150 contemporary artists (e.g., Joyce Kozloff, Guillermo Kuitca, John Baldessari, Lars Arrhenius, Ed Ruscha, Mark Bradford, Olafur Eliasson, Maya Lin, Jules de Balincourt, Richard Long, as well as many emerging American and international artists).

Jeremy W. Crampton, Cartography: performative, participatory, political, Progress in Human Geography, vol. 33 no. 6 (2009), pp. 840–848, Department of Geosciences, Georgia State University, Atlanta, GA, USA.

Ethel Baraona Pohl, An Atlas of Radical Cartography, Plataforma Arquitectura (June 9, 2009), España: Plataforma Networks.

Walter Mignolo (entrevista por La Tronkal), Matriz Colonial del Poder, Segunda Epoca, Corneta: Semanario Cultural de Caracas no. 72 (2009 November 19 - 25).

Monika Fabian, Mexico celebrates its independence on Wednesday 16, Time Out New York (September 7, 2009).

Alison Levy, South of the Borderless, Art Slant (September 6, 2009), New York.

Blue Greenberg, Gallery closing to leave big gap in local art community, The Herald-Sun: The Arts (March 1, 2009), Durham, NC.

David Fellerath, The Closing of Branch Gallery leaves a void in the Triangle's contemporary art scene, Independent Weekly (February 25, 2009), Durham, NC.

Jessie Tsang, LATINO/A AMERICA: The New York & North Carolina Suites, Recess (January 22, 2009), The Duke Chronicle.

 

2008

McKee, Yates. “Contemporary Art & the Legacies of Democracy,” A Guide to Democracy in America,

New York: Creative Time Books, 2008. p 34-35.

Pfeiffenberger, Sylvia. “Art Below the Border,” This Month at Duke, Durham, NC. December 29, 2008.

Greenberg, Blue. “Triangle's ten best art exhibitions of 2008,” The Herald-Sun, Durham, NC. December

28, 2008.

Cortes, Alejandro. “Por una sola minoría racial,” Que Pasa Triangle, Raleigh, NC. October 9-15, 2008

Kingsley, Amy. “Not for Sale: Elm Street’s Elsewhere reinvents retail,” YesWeekly.com, September 3,

2008.

Natale, Michele. “Art Picks,” The News & Observer, Raleigh, NC. August 29, 2008.

Broili, Susan. “A Golden Belt art unveiling,” The Herald-Sun, Durham, NC. August 15, 2008.

Dagger, Jacob. “Confronting Sculpture,” Duke Magazine, Volume 94, No.4, July-August 2008

Greenberg, Blue. “At the Nasher, new life for an ancient collection,” The Herald-Sun, Durham, NC. June 22, 2008.

Dewolfe, Stacey. “Radical mapping (A New World: By Pedro Lasch),” Montreal Mirror, Art this Week,

June 19-25, 2008, vol 24 no 1.

Cortes, Alejandro. “El arte siempre va con la política,” Que Pasa Triangle, Raleigh, NC. Junio 12 – 18,

2008

Broili, Susan. “Exhibit combines art of two worlds in new statement,” The Herald-Sun, Durham, NC. June 7, 2008.

Tucker, Daniel. “Space Discovery: A review of An Atlas of Radical Cartography,” Proximity Magazine, May-June 2008. p 152

Debatty, Regine. “Book Review - An Atlas of Radical Cartography,” www.we-make-money-not-art.com, April 12, 2008.

Jovanovich, Alex. “An Atlas of Radical Cartography,” Art Lies: A Contemporary Art Quarterly, Issue 57,

Spring 2008

Jaramillo, Paola. “Sonideros hacen historia en el Triángulo,” La Conexión, Raleigh, NC. April 8, 2008.

Corresponsal Sección Reven, “Exitoso Maratón Sonidero,” Qué Pasa Triangle, Raleigh NC, April 3-9, 2008

Natale, Michele. “Art Picks,” The News & Observer, Raleigh, NC. March 14, 2008.